Great Book Quotes From The Classics

It is rare that a quote captures the essence of an entire novel, but here are a few standout quotes from dozens of beloved and world-renowned classics.

Most of life is so dull that there is nothing to be said about it, and the books and talk that would describe it as interesting are obliged to exaggerate, in the hope of justifying their own existence.

E. M. Forster, A Passage to India

That is the one unforgivable sin in any society. Be different and be damned!

Margaret Mitchell, Gone with the Wind

Six months ago I had never been to England, and, certainly, I had never sounded the depths of an English heart. I had known the shallows.

Ford Madox Ford, The Good Soldier

The whole mad swirl of everything that was to come began then.

Jack Kerouac, On the Road

In his Petersburg world, all people were divided into two completely opposite sorts. One was the inferior sort: the banal, stupid and, above all, ridiculous people who believed that one husband should live with one wife, whom he has married in a church, that a girl should be innocent, a woman modest, a man manly, temperate and firm, that one should raise children, earn one’s bread, pay one’s debts, and other such stupidities. This was an old-fashioned and ridiculous sort of people. But there was another sort of people, the real ones, to which they all belonged, and for whom one had, above all, to be elegant, handsome, magnanimous, bold, gay, to give oneself to every passion without blushing and laugh at everything else.

Leo Tolstoy, Anna Karenina

I prefer unlucky things. Luck is vulgar. Who wants what luck would bring? I don’t.

D. H. Lawrence, Women in Love

Human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.

Gustave Flaubert, Madame Bovary

They looked at each other, baffled, in love and hate.

William Golding, Lord of the Flies

I never liked to hunt, you know. There was always the danger of having a horse fall on you.

Ernest Hemingway, The Sun Also Rises

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To Kill a Mockingbird Book Quotes From Harper Lee

The book is about a family – a widowed father and his two children – who are living in Alabama in the 1930s and navigating the moral questions raised by racial inequality. Here are some of the most memorable quotes from the book.

1. “People generally see what they look for, and hear what they listen for.” ― Harper Lee, To Kill a Mockingbird

2. “The one thing that doesn’t abide by majority rule is a person’s conscience.” ― Harper Lee, To Kill a Mockingbird

3. “You never really understand a person until you consider things from his point of view — until you climb into his skin and walk around in it.” – Harper Lee, To Kill a Mockingbird

4. “It’s not time to worry yet.” ― Harper Lee, To Kill a Mockingbird

5. “Equal rights for all, special privileges for none.” ― Harper Lee, To Kill a Mockingbird

6. “People don’t like to have somebody knowing more than they do. It aggravates them.” ― Harper Lee, To Kill a Mockingbird

7. “I try to give’em a reason, you see. It helps folks if they can latch onto a reason.” ― Harper Lee, To Kill a Mockingbird

8. “You don’t have to learn much out of books, it’s like if you want to learn about cows, you go milk one.” ― Harper Lee, To Kill a Mockingbird

9. “If one went for a walk with no definite purpose in mind, it was correct to believe one’s mind incapable of definite purpose.” ― Harper Lee, To Kill a Mockingbird

10. “We generally get the juries we deserve.” ― Harper Lee, To Kill a Mockingbird

11. “You see they could never, never understand that I live like I do because that’s the way I want to live.” ― Harper Lee, To Kill a Mockingbird

12. “Until I feared I would lose it, I never loved to read. One does not love breathing.” ― Harper Lee, To Kill a Mockingbird

13. “People in their right minds never take pride in their talents.” ― Harper Lee, To Kill a Mockingbird

14. “Sometimes it’s better to bend the law a little in special cases.” ― Harper Lee, To Kill a Mockingbird

15. “I do my best to love everyday.” ― Harper Lee, To Kill a Mockingbird

16. “It’s not necessary to tell all you know. It’s not ladylike- in the second place, folks don’t like to have somebody around knowin’ more than they do.” ― Harper Lee, To Kill a Mockingbird

17. “If you can learn a simple trick, you’ll get along a lot better with all kind of folks.” ― Harper Lee, To Kill a Mockingbird

18. “There are just some kind of men who’re so busy worrying about the next world they’ve never learned to live in this one.” ― Harper Lee, To Kill a Mockingbird

19. “Cry about the simple hell people give other people—without even thinking.” ― Harper Lee, To Kill a Mockingbird

20. “The only way in which all men in America are equal, is in the courtroom.” ― Harper Lee, To Kill a Mockingbird

21. “If we followed our feelings all the time, we’d be like cats chasin’ their tails.” ― Harper Lee, To Kill a Mockingbird

22. “There’s a lot of ugly things in this world, son. I wish I could keep ’em all away from you. That’s never possible.”― Harper Lee, To Kill a Mockingbird

23. “When stalking one’s prey, it is best to take one’s time. Say nothing, and as sure as eggs he will become curious and emerge.” ― Harper Lee, To Kill a Mockingbird

24. “Most people are nice when you finally see them.” ― Harper Lee, To Kill a Mockingbird

25. “Things are always better in the morning.” ― Harper Lee, To Kill a Mockingbird

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Three Classics You Might Not Know Were Written By Women

Despite historically negative social attitudes towards female writers, and the practical limitations of literary education being targeted only at men, some of the greatest writers ever to have lived are women - but you might not know it.

Check out these famous books that you’ve almost certainly heard of, but that you might not know were penned by women.

Middlemarch by George Eliot

This 1871-72 classic has long been part of the established literary canon, telling the story of an imagined 19th century society, with various male and female characters whose lives overlap and interlink in interesting ways. George Eliot was lauded for ‘his’ ability to understand the emotional workings of the female mind; unbeknownst to the public and his critics, ‘he’ was actually a she. George Eliot was the pen name of Mary Anne Evans, who concealed her identity for years.

Mary Poppins by P.L. Travers

These iconic stories about the world’s best nanny was written by Pamela Lyndon Travers, who used her initials only - presumably in order to make her work appealing to readers who might prefer a male author. First published in London in 1934, the book series inspired the incredibly successful musical Disney film from 1964, although it’s reported the author herself wasn’t a huge fan!

Indiana by George Sand

This 1831 classic is a socially aware novel about the difficulties of marital obligation. The story is about a woman who is unhappily married and decides to leave her husband, and the book acts a defense against all women who choose to challenge the social norm in pursuit of their own happiness and fulfillment. George Sand was actually the pen name of Amantine-Lucile-Aurore Dudevant, who thought that her political views would likely be taken more seriously if she were thought to be a man.

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Banned! Classic Books That Were Removed From Circulation

There are some books which clearly present more challenging themes and unsurprisingly get excluded from schools and libraries or even removed from circulation entirely. However, there are some books which seem fairly innocuous but still manage to rile up certain groups. Take a look at these three classics which were considered so awful they were completely banned.

Ulysses by James Joyce

The 1922 work of fiction by James Joyce is considered one of the true classics so it’s unthinkable to consider that it wouldn’t be widely available. Yet when it was published it was deemed to be obscene due to both the sexual content within and the language used. The book was kept away from the US and any copies which tried to creep in were unceremoniously burned. The ban was overturned in 1933 when the publisher challenged the ruling in court and won.

Animal Farm by George Orwell

A piece of political commentary dressed up a novella, there’s no question that Animal Farm could have been controversial. However, the anti-Stalin sentiment was felt to be so unacceptable that the book was banned in 1946 within Yugoslavia, banned in 1991 in Kenya and banned yet again in UAE in 2002. Even in the more lenient UK, the subject was considered borderline with the release heavily delayed.

Alice’s Adventures in Wonderland by Lewis Carroll

Written in 1865, Alice’s adventures have captivated generation after generation but not all readers around the world have had the privilege of having access to the text. In the Hunan district, the book was summarily banned in 1931 because the idea of having talking animals was deemed to be disrespectful to humans by putting them on the “same level”.

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Why classic literature is as important today as it has ever been

Classic literature is something which should be treasured, but too often can summon uncomfortable memories of school days when we were forced to burrow through Cliffs Notes to find out what it all meant really.

However, there are many reasons to revisit classic literature – or even delve books you have previously been too daunted to get into. Without the dread of having writing an assignment on a classic novel, reading it for enjoyment can open up a whole new way of reading.

Here are some reasons why classic literature is so important now more than ever.

It improves concentration and helps you focus on details

In the same way that the complex patterns of classical music are a great way to give your brain a workout, so too is reading classical literature. In today’s world of endless instant, but ultimately meaningless, information and short attention spans, it can take great discipline to read Charles Dickens take two or three pages to describe the contents of a room, or Joseph Conrad detail a man walking down the street over half a chapter.

That kind of detail is very different to modern literature and not what many of us are used to, but that richness of language forces us to slow down and concentrate, which is no bad thing in today’s hectic world.

They inspire great ideas

We can get bogged down on a daily basis with petty and ill-informed debates on social media. Classic literature, however, deals with grand ideas and incisive social commentary. We can learn a lot more from the themes in classic literature than we get from opinionated malcontents online.

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The impact of Dante’s Inferno

It has been over 700 years since Dante’s Inferno was first written, and a despite the age of the manuscript, it is still one book that has a huge influence on pop culture. Here’s how Dante’s Inferno is still impacting our lives.

The questions it asks

One of the main reasons that Dante’s Inferno has remained so popular is because of the questions that it asks. These questions are the ones for the ages, the questions that seem far beyond human understanding, but we take each of the questions and try to improve our knowledge and philosophies in an attempt to answer them – What is evil? What is redemption?

Understand the forms of human evil

As the first of the divine comedies, Dante’s Inferno looks at all the different types of human evil from the minor to the most depraved and brings them all before the eyes of the reader. Yes, you are in a torture chamber of evil, but it goes beyond that to a level that forces you to question the nature of evil.

The appearances in all elements of culture

All three parts of the Divine Comedies feature within popular culture, but particularly Dante’s Inferno. From the art of Giovanni di Paolo where he represents Paradisio, to the Auguste Rodin’s sculpture group, the gates of hell, the imagery of Inferno has provided plenty of fodder for artists. But the impact does not stop there. Chaucer, Milton, Marx, T.S. Eliot, E. M. Forster, Philip Pullman and even Dan Brown all draw on elements of Dante’s Inferno in their work. And of course the phrase “Abandon hope all Ye who enter here” is inscribed above the gates of hell in Dante’s Inferno, and is an often quoted line in TV and cinema.

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Animal Farm – socialist Russia in animal form

On its surface a simple drama about talking animals, George Orwell’s revolutionary novel, Animal Farm, has a much deeper and darker critique of the Soviet Union within. In this piece we look at the representation of socialist Russia in George Orwell’s Animal Farm.

Orwell’s targets in Animal Farm are the history of the 1917 Russian Revolution the rise of communist dictator Joseph Stalin beginning in 1927, with Stalinism subjected to particularly biting focus. Where in reality the ruling Russian Tsars were overthrown by the people and replaced with government, in the book the farm animals overthrow the farmer Mr Jones, depicted as drunk and inept. The pigs then go on to form their own democracy and ruling class, especially the pigs, but events eventually turn darker as Orwell moves into his Stalinism critique.

One of the novel’s main action points is the battle for dominance between the pigs Snowball and Napoleon, Orwell’s bestial versions of Stalin opponent Leon Trotsky and Stalin himself. Like the idealistic, almost heroic, Trotsky, Snowball is less powerful than Napoleon and as such is exiled from the farm, echoing Trotsky’s own expulsion from the Soviet Union.

From executions to false confessions of misdeeds, the pigs in Animal Farm degenerate further and further to eventually come close to resembling men, their once hated overlords-turned business partners. Much like Stalin’s transformation into a tyrannical dictator, Napoleon becomes a version of Mr Jones, even walking on two legs in a complete rejection of his animal roots. Animal Farm is most effective not in simply showing the abuse of power, but the horrific and heart-breaking hypocrisy at the heart of dictatorships.

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